The list seemed endless, and I felt overwhelmed the typeface I thought I knew had so much more to offer than I’d realized. The first thing I noticed were new number styles, named “old-style figures” and “tabular figures.” These were digits of different shapes and positions, meant to blend better than Warnock Pro’s default digits when used within text, or inside tables: The options went beyond - far beyond - the standard bold and italic. The PDF explained Warnock Pro was more than it appeared: True connoisseurs of the font could move past its basic look and customize the character of its characters. I’d used it before and thought I knew it well, but that day I learned it had been living a mysterious double life. I explored the university’s directory of fonts, and dove into the PDF instruction manual of Warnock Pro, one of my favorites. So, I did what I often do when the creative side of my brain becomes restless: I turned to typography. I was working on my doctoral thesis, but things weren’t going very well. It happened many years ago, during one beautiful Amsterdam spring, in a small room at the Vrije Universiteit. I remember exactly when and where I was when I discovered fonts have secrets. The mysterious double life of Warnock Pro But if you’d prefer a deeper introduction to the world of OpenType, read on for the tale of one designer’s love affair with it. If you’re in a hurry, you can jump to the description of the new functionality in Figma. This will allow you to turn on additional ligatures, customize the style of digits, switch to alternative letterforms, and make use of adjustments available in many of today’s fonts - through a user interface that will make discovering them as much fun as using them. Starting today, Figma will support OpenType features of all the fonts you use: local fonts, Google Fonts, and fonts shared inside organizations.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |